Jacob van Eyck's Der Fluyten Lust-hof

Jacob van Eyck's Der Fluyten Lust-hof

Jacob van Eyck's Der Fluyten Lust-hof (1644-1655) Utrecht: Vereniging voor Nederlandse Muziekgeschiedenis (Dutch Musicological Society), 1991. Muziekhistorische Monografieen 13, in English; first edition 1991 (hardback); reprint edition 2000 (paperback); third reprint edition 2005 (hardback).

Publisher's description:
The single greatest source of solo recorder music is the mid-seventeenth century Der Fluyten Lust-hof by the blind Utrecht carillonneur Jacob van Eyck. The heart and bulk of this book is a tune-by-tune examination of the melodies which underpin the Lust-hof's virtuosic variations.

The discussion of each melody includes its origin, history, original and/or adopted text (all with English translations), extent of its distribution in the Netherlands, a musical example, and lists of settings of the same tune by other composers and for other instruments.

This central work is granished by chapters covering: Van Eyck's life and printed works; the Lust-hof's variation style and intended instrument; appendices including a Lust-hof bibliography and discography; and more than 50 figures and 75 music examples.

What others have said about this book

  • I have read the manuscript thoroughly and have been waiting for something like this for several decades. Truly outstanding.
  • Dr. Griffioen has performed an invaluable service to modern recorder players and to students of 17th-century music in general. Her dissertation is one of the most impressive documents ever written about the recorder.
  • Along with information on Van Eyck himself and recorder playing in his time, Ruth van Baak Griffioen's book provides above all a wealth of information about the song melodies used in the Lust-hof.
  • Jacob van Eyck's contributions to the carillon art are many and important. All carillonneurs interested in the history of their instrument will want to read this book.
  • Dr. Griffioen's research is a flood of information about Van Eyck's life and work, the dissemination of music throughout Europe, and the art of ornamental variations. We will perform his melodies with more confidence and art than has ever before been possible thanks to this exhaustive and authoritative study.

    Where to get a copy


    rvbgri@wm.edu